and high-contrast black-and-white images that challenge traditional studio portrait framing
demonstrating how fine art portraiture can uncover profound dignity within the routine gridlock of everyday life
often surrealist-tinged studies of the female form
Uncommon in this excellent condition
Levinstein remained notoriously aloof from the commercial art world and never published a book during his lifetime
Annuals. U.S. Camera Annual 1962 Signed book and high-contrast black-and-white images thatU. S. Camera Annual 1962, edited by Tom Maloney. U. S. Camera Publishing, 1961. Portfolios by Brett Weston (Europe), Mathew Brady, James Abbe, Edward Steichen (with detailed biographical chronology by Grace M. Meyer), Ken Heyman, Robert Freson (portraits of famous photographers plus lovely female nudes), George Silk, Marvin E. Newman, W. Suschitzky, & Peter Suschitzky. Plus two or more images each by Art Kane, Richard Avedon (of Jacqueline Kennedy and