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and the post-war years in which he worked with his nephew
It shifted the focus away from the "decisive moment" of street photography (like that of Cartier-Bresson) toward a "calculated moment
examining her lyrical sensibility and her ultimate commitment to portraying ordinary people in ordinary circumstances
he initially worked as a clerk at the local stock exchange while teaching himself photography
Callahan, Harry. "Harry Callahan: An Interview" by A.D. Coleman in New York Photographer, Issue 4, January 1972, pages 3-6. Signed Copy guest curatorCallahan talked about himself, his work, other photographers, his Rhode Island School of Design faculty colleague Aaron Siskind, and teaching. Entire issue, 18 pages, also includes survey of galleries; calendars of exhibits, classes, and workshops; reviews of shows by Edward Curtis, Roman Vishniac, Brassai, etc. Cover photo by Edward Curtis. Scarce magazine in the early years of the emerging New York photography scene of the 1970s. Good with signs of
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