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He painted several variations of irises during his stay at the Saint-Paul-de-Mausole asylum
He often left the eyes of subjects without detail
continuing a common theme of separation and loneliness in public places
Symbolically
Blue and Silver, Chelsea ☱ Whistler ☱ Art Print Paper Finish:Textured Matte or to live peacefully onNocturne: Blue and Silver, Chelsea (1871) by James McNeill Whistler is a view from Battersea Bridge looking across the Thames towards Chelsea. The tower of Chelsea Old Church is visible on the right, and a fisherman stands in the foreground. This is the first of his series of Nocturnes, paintings intended to convey the beauty and tranquillity of the River Thames. The influence of Japanese woodblock prints is evident from the limited range of colors
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