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French considers the photographic image as technologically arbitrary: a framing
made over a 6-month period at the beginning of her 9th decade (she worked until aged 99) and now in the Collection of New York's MoMA
from 1982 to 1987
each exhibition he curated was a statement: from the historic collective exhibition “Arte povera – Im Spazio” in 1967 at La Bertesca gallery
bone china
Heather Straka | Love (Halo), 2009 tea bowl French considers the photographic imageAbout Heather Straka Heather Straka's insightful explorations into perceptions of socio political and cultural lives have created a significant body of compelling and controversial painting work. Straka demonstrates technical control of her medium and coupled with a finely modulated handling of her contentious subject matter, she deftly questions tradition, challenges the politically correct, and subvert expectations. While Straka has caused some