Nathanael: Pasolini's Our homeware then a recently graduated art

then a recently graduated art student

25 × 18 cm

It's constantly moving

An introduction by Boris Groys contextualizes Kojève’s life and writings

one of the most original

Nathanael: Pasolini's Our homeware then a recently graduated artNightboat, 2018, softcover, 80 pages, 20 x 15 cm The body of the filmmaker is itself a discrepancy. This may be one of this books claims, if it were to advance something like an argument. Instead it writes its way through to a dry swamp, in the elusive company of Pier Paolo Pasolini, Mizoguchi Kenji, and the albatross, evincing procedures of extinction that owe something to both translation and photography. Its armament, approximating the latent