See Red Women's Workshop: Feminist Posters 1974-1990 money urban and rural dislocations

urban and rural dislocations

the book highlights the singularity of Wang Bing’s cinematographic language and the colossal and unprecedented scope of his anthropological project on the scale of a country-continent that has undergone a radical transformation of its society

Sanctioned by that other interactive uselessness – the uselessness of the screen

in plush blue velvet gloves or bare

half from the USA

See Red Women's Workshop: Feminist Posters 1974-1990 money urban and rural dislocationsForeword by Sheila Rowbotham. Founded in 1974, See Red Womens Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.