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“white feminism” and girlboss feminism have taken a justified beating
where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination
slavery and its aftermath
examining both its inner workings—lyrics
Tanja Ostojic
Ishion Hutchinson: Fugitive Tilts Cerith Wyn Evans “white feminism” and girlboss feminismMACK, 2025, hardcover, 384 pages, 15. 2 x 22. 9 cm In Fugitive Tilts, the poet Ishion Hutchinson turns to prose to create an incomplete biography of love: love of poetry, discovered in childhood; love of home, with its continual disconnections and returns; and love of the works and artistsfrom Treasure Island, to John Coltrane, to the Jamaican music of his youththat look over him with an angels aura. Drawing inspiration from Derek Walcotts notion that
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